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Nine Since



Estimated reading time — 3 minutes

True fear creates three responses. The smart run away; the foolish try to wield fear as a sort of weapon to fight what their very nature claims they can’t defeat; and the weak are paralyzed, unable to react; unable to breathe.

No one can predict what sort they are. Whether one will fight or flee is something only known by tasting true fear. Everyone has a trigger to become this primal response. Let me ask, what do you fear most? Is it Spiders? Or snakes? Crowds? Small spaces? The Dark? The unknown? Fire? Falling; Drowning; Dying!

Are you afraid of dying?

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I used to share these trivial fears. Before the incident, I was like you, ignorant of true terror. It is because of my new found knowledge of fear that I find myself writing.

My name is Timothy Sebastian Yeats, and the story begins like most others: safe at home. I had school the next day, but the urge to leave my house for a country road overcame me. I grabbed my keys and locked my door from the outside. The crisp Autumn air carried the smell of a barbecue from somewhere down the street. The moon was large, about three-quarters full. I started my car and headed out of town.

There was a car along the roadside. It was the reason I was here so I pulled up beside it expecting to see something in the headlights. Instead they went out, shattering as if overloaded. The splinters of glass scattered on the ground and popped my front tires. The car flipped, and I felt what I thought was genuine fear. It landed upright, and I believed myself lucky. My ears were ringing, but I needed to leave the car, I had to check something. I can’t remember what, but somehow it was important. In front of that strangely familiar car was — I can’t remember, but whatever I saw paralyzed me. I learned looking at that scene that I was the type to freeze before fear itself.

For everything I can’t recall, I remember clearly what I saw next. A mouth appeared. Picture the cruelest set of teeth you can, then picture the thing which owns them. The hungry maw before me could choose between swallowing that thing you imagined whole or ripping it to shreds and slurping the ribbons like noodles. Blackish blood dripped from between those teeth like drool. Whatever they belonged to I couldn’t see. It either didn’t have a body, or its skin rejected the light of the moon, hidden in shadow where there oughtn’t be any. The teeth gnashed against themselves, contemplating whether to eat me.

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They neared, and I couldn’t just hear its breath, I could smell it and taste it and feel it. It wreaked a sickenly sweet stench and it tasted of bitter iron, just like blood. The way it felt I can’t bring myself to describe. It swept up and down, sniffing at me before it opened itself wide and latched onto my right hand. The pain shook me from my fear. It woke in me the primal want to live, to continue on. I wanted to survive. Against the pain, I grasped at the ground with my free hand, and finding a grip on on a cold, metal rod, I struck out, against the maw which held captive my other hand. To my surprise, it bellowed and released me.

I sat dumbfounded for a moment, then dropped the blackish tire iron in my hand. I ran past that thing, faster than I believe any man has ever ran. I was running for my life. I was running to the town, to my home. I never faltered, I never slowed, I never looked back. I reached home and unlocked the door. I ran inside, locked it, barricaded it, armed myself, and prayed, that whatever that thing was, it wouldn’t come for me. It didn’t, and I don’t know if my prayers were answered or if it simply lost interest, but it was gone.

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I’ve thought about everything that happened, and I come to a conclusion. That mouth doesn’t only devour flesh. It consumes the existence that which it eats. The memory of anything it consumes disappears entirely.

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I don’t believe I’d leave my house without a reason, much less for a dismal backroad, but I can’t remember what it is. My phone shows a call from a number I don’t recognize. The owner’s name is unimportant since no one remembers it, not even her parents. But what disturbs me more is that every picture of me disagrees with my memory; I’ve always had only nine fingers.

Before I asked you what you feared the most. It’s time I answer the question myself. What I, Timothy Sebastian Yeats, fear more than death; what death seems trivial in the face of, is being forgotten by even myself. The existence eater, as I’ve named it, revealed my greatest fear like a catalyst. I fear having nothing left of me, not even my name. Beside that, not even death can compare.

Credit: AnDrew the Awesome

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12 thoughts on “Nine Since”

  1. So you drive to the country and suddenly your car stops and tried to do a barrel roll, then you stop to make out with a shogoth demon before hitting it in the face and running. Timothy, go home. Your drunk.

  2. I understand the character is confused, but that doesn’t mean the readers should be too. It would have worked well if we were intrigued as to why it was all happening, but I had trouble figuring out WHAT was happening. The start, akthough good,had several cliches, something we should all avoid. I couldn’t follow anything after the car flipping. The description of the monster was lazy. “Picture a giant monster. Now picture the thing that can eat the giant monster in one bite”
    That’s pretty much what you said, just with better language. And I have to say, you’re language and grammar is very good, but this plot was neither clear nor intriguing.

  3. Something is missing. I really wanted to at least like this, but I can’t…. It’s as though the author transcribed a notebook he kept with snippets of ideas stapled together with no discernible plot.

  4. So you pull up next to a car, and pretty much stop. Then your headlights break, the tires pop, and your car does a barrel roll. Is your car a drunken transformer?

  5. Way too confusing, unbelievable, and disjointed to be enjoyable. You lost my interest at the beginning when pulling up next to a car made his headlights pop, which made his tires go flat, and made the car flip…all while stopped.

  6. This needs context. It’s far too short for me to make a proper judgement. It appears to be well-written in terms of the language used, but it’s short and it doesn’t go anywhere. I don’t see the point of giving this character a name if the story itself is less than a thousand words long.

    I don’t have much else to say, really. If you’d written a little more I might be able to give you pointers other than “make it longer and give us more context”.

    1. “I fear having nothing left of me, not even my name”
      This is one of the ending lines, and I think this is what gives the mention of his full name, some relevance. Not much relevance, however. I agree with you, the name was overall a bit pointless, and yes, this whole story needs context. It seems like it’s one piece of a bigger story

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