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Don’t Ever Let Them In



Estimated reading time — 5 minutes

I am terrified of the dark. My grandmother, on the other hand, had an affinity for the dark. She loved and enjoyed the dark so much that most windows in her house were walled shut and the few that remained were, except for rare occasions like family visits, blacked out with several layers of black curtains.

It was only when I was about 16 that I realized that those two, her love and my fear of the dark, were connected.

When I was small I was, supposedly, very hyperactive. My mother never managed to control me and my father only did so on those rare occasions when he threatened me with punishments. But I loved my grandparents and, as my parents, said, I always behave right when my grandmother was around. Accordingly my parents dropped me many times at my grandmother’s place so that they themselves could have a calm weekend.

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I was 8 years old when she died. At that time I was already scared of the dark – except, of course, when my grandparents were around.

Those eight years I stayed many times over. I remember vividly how I played with my grandfather and uncle Owen in the darkness. We had our special games, like a noise-based version of hide and seek which only worked when the house was particularly quiet and my grandfather taught me how to carve wood into spoons and flutes with just my sense of touch.

I remember it exactly – the way their faces were lightly visible in the dark but their eyes always penetrated through the thickest curtains of darkness. They were bright white, as if they were glowing from the sindise – with just a black pupil at the center.

My grandmother was always working around the house – cooking and baking for me, cleaning or tidying or preparing the beds for the night. The room always felt warmer when she was there and so, usually, i asked my grandfather and uncle Owen to play with me in the room that she was in.

Those weekends I never missed the light. Even my dreams were, often, just noises and smells and textures and shapes – never colors or visible objects. Still today I can navigate perfectly in the dark. And still today I can see very well in the dark and around my 16th year of life I concluded that my strong vision at night was the cause for my paralyzing fear of the dark.

The fear had been there as long as I remember and on most nights I slept with a nightlight. On those weekends with my grandmother the darkness had never been a problem. Cuddled up to her warm body I never felt fear and I never minded the figures that seemed to stand in the room, all around my bed.

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They only came with the darkness. Never when there was a slight flicker of light, just with the absolute blackness of a night in a room without windows.

My grandmother called them the ‘Outcasts.’ She said that they were family and friends, former close ones, that wanted to return from the other side. She taught me again and again that I should never let them return.

I remember the way she said it. We were lying in the bed, my head cuddled up to the warmth of her shoulder. Somewhere behind me my grandfather was snoring and when I turned I could see his face glowing in the darkness, with his white skin it was even more visible than that of my grandmother.

“You can see the difference in their faces,” she said. “Their faces are darker. But if you really want to make sure then you have to look at their eyes. If their eyes are as black as their face or even darker then they are on the wrong side; they are dead and and they should stay that way no matter how much you miss them.”

“So they can’t come?”

“They can’t come unless you allow them to come.”

“What if I let them in?”

“Don’t ever let them in.”

Black on black, but I still saw them as clear as a pencil line pressed hard on a piece of paper, the type of pencil line that doesn’t just color the paper but rather pushes itself into the paper.

That night my grandmother fell asleep quickly but I, in the safety of her arms and with my grandfather behind me, watched the figures. They were gesturing and moving, voiced words and sometimes fought against one another; they pushed each other to the side and backwards, fighting for a spot on the borderline to life.

I saw their figures and I recognized their sizes and hairstyles, often I even thought I knew which clothes they were wearing. I never asked my grandmother about that, but for myself I concluded those were the ways they looked in the moment that they stepped from life to death.

With my grandmother I was safe. But without her the nights were terror. They came closer and they seemed more energetic, more violent, more likely to break through that barrier. Maybe they were closer because I was closer to letting them in, half out of fear and half out of curiosity.

The nightlight was my savior, but in those nights when my parents forgot to plug the light in there was no salvation. They stood above me with their dark figures pressed into the darkness and those eyes so dark that they seemed to extend deeper into space; as if they were hollow.

With 16 I tried to cure myself off my fear by “shock therapy.” I threw myself into one dark night after the other but rather than improve the situation got worse.

There was one figure particularly pushy. A smaller one with wild, curly hair and the darkest eyes of them all. I always knew who she was. She had only been there since I was 8.

The conclusions of my 16th year made too much sense to be overturned. I gave up my defense and accepted my fear and eternal dependence on nightlights. When I moved to university I even chose an apartment with a street lamp outside so that the light would certainly come through my window and keep the figures at bay.

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With 23 I learned the truth about my fear.

I was at my mother’s place. We were at our second bottle of wine and a soothing melancholy, the type that you can see in a French actress’s eyes, had enriched the air. Somehow we came to speak about my grandmother.

“I miss her,” my mother said.

“Me too,” I said. “Sometimes I still dream of her cookies and when I wake up I can nearly taste the vanilla.”

“Oh,” she said. “Your grandfather loved those.”

“Did he? I don’t remember him eating any?”

My mother laughed.

“You were probably too young to remember that.”

“Not really. I remember playing with him.”

“Oh, you do?”

“Yeah. I played with him all the time.”

“Really, you remember that?”

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“Of course.”

“Wow,” she said. “I’m really happy for that.”

“Me too.”

“I always thought you wouldn’t remember him because you were so young.”

I took a sip from my glass and let the bitterness fade from my mouth.

“I don’t remember going to his funeral.”

“Of course not,” she said. “We left you with a friend and went alone.”

“What? Why?”

“We thought you wouldn’t understand it. You were just 2 when your grandfather and uncle Owen had their accident.”

When I was 16 I thought I was scared of the figures standing at the borderline to our world.

Since I’m 23 I know that I’m not actually scared of those figures at the borderline. I’m scared and wondering how many others were allowed back inside.

Credit To – Anton Scheller

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32 thoughts on “Don’t Ever Let Them In”

  1. First off, great pasta! Second off I liked to thank everyone in the comments who explained it to me because at first I didn’t get it but now I get! So thanks everyone!

  2. Did no one else notice the glaring grammatical errors. Made it a lot less enjoyable. Also at some parts, especially the end, it was difficult to understand. I just wish people proofread their work. It was a great idea though. Good job author.

  3. Not for the first time, the commenters explain the pasta better than the author. 8/10 I liked it, but it wasn’t very well explained

  4. So she/he wasnt allowed to let the ones in who had the darkest eyes and that would include her grandma because she described that the pushy spirit (her grandmother) had the blackest eyes. Right?

  5. good story but if his grandpa and uncle played with him and were so kind, why is letting them in bad? They seem like good people

  6. Don’t ever let them in? Oh no, you’ve got it all wrong. Let them in if you like, but don’t let them out if you do, otherwise things get… interesting.

  7. Rating 6/10 – average
    Could have easily gotten an 8 or 9. The story started incredibly well, creepy, interesting and mysterious. The ending totally left me confused though. I get that the grandpa and uncle are dead, and that the grandmother seemingly let them in, but what negative outcome spawned from this? It’s definitely not explained in the story. Please fix

  8. Very interesting and surprisingly original from some of the other bedtime pastas. You’d think that the ‘figures around the bed’ theme would be more prevelant but they’re actually somewhat rare. 8.5/10

  9. Oh my goodness, people! Think about it! Yes, there are good spirits who love ( or loved) us and would love to spend more time with us but you MUST realize that there are plenty of bad ones too who will take on the guise of a loved one in order to get back into this world and reek havoc. SMH

    her message is a longer one: Don’t let them in. No matter WHO they are, don’t let them in.

    She lucked out by only allowing her husband and son back but think about it, if the protagonist let in that bad spirit because she was “curious” well…the story would have been about the protagonist’s journey as a shadow person.

    Just…don’t let them in. You cling to the dead, they’ll cling to you…and they can do far more to you than you can do to them.

  10. Well written and I like the concept, but the spook factor was kind of lacking. If the ghosts/whatever were friends and loved ones and just generally the dead wanting to be let back in, that’s not overly scary. Put on top of that the child played with his uncle and grandfather, who were dead and they were perfectly wonderful people then what’s there to be scared of?

    1. Sigh…..can’t people be evil? Since she let.her husband and son in so she needed darkness and because the “dead” needed darkness there were all sorts of people roaming her house like killers and evil people in general
      The thing I didn’t get is how did her granmother got in?

  11. Pretty cool story. I enjoyed it. Wanted more when it was over. This was a great idea that could have been expounded upon greatly. I would dare to venture that the author’s first language is not English. Great ideas. Loved the methodology of the dead. More points would have been awarded for more details and just more story in general. But well done. 7/10 Keep reading and writing

  12. the GrandFather and Uncle she played with were dead, the GrandMother let them back in. she had been playing with dead people for eight years.
    the only bad part of this is the point of the story. Dont let them in… why? her uncle and grandfather treated her kindly, why not let them come back? not once did it ever imply that there was a negative effect to bringing them back. they were not evil, they were as they had been in life? so why not let them in? also the writer makes a point to show the GrandMothers spirit showed up after she died. (remember the short curly haired shadow that showed up after her GrandMothers death. I thought it was a nice story, but the ending tripped on its own feet.

    1. It is just a matter of paying close attention to what the grandmother says: “If their eyes are as black as their face or even darker then they are on the wrong side”. In that moment she seems to imply that they are simply dead, actually what she means is that they are “dead that should stay dead”, unlike her husband and Owen, whose faces are lighter and whose eyes are bright.
      The part that lets me wondering, on the contrary, is how come the narrator never mentioned playing with her grandfather and uncle to her parents.

  13. His grandfather and uncle were already dead when he played with them. That’s why it was always pitch black at his grandmother’s, she kept it that way so her husband could be there. She told him not to let anyone in because there was probably some bad spirits also.

  14. Before I got to the end I was like, “No…no…dammit I was right!!!!”. Always happens when I read pasta’s. I always put everything together before the end. Nicely written. 8/10

  15. The reason his grandmother kept the place so dark was because she’d let the grandfather (her husband)”in” was the assumption I made. So he had been playing with his “dead” grandfather. I don’t really understand why she told him not to let people in we can only assume there was a negative aspect that he didn’t experience or I didn’t understand.

    1. He was playing with his dead grandfather, and uncle Owen whom his grandmother had “let in”. His grandma warns him to never let others in, presumably because they would do horrible things. At the end, the protagonist was concerned about the possibility of others having “gotten in”, and who they were, i.e. evil spirits, demons. Also, Im pretty sure uncle Owen was killed by stormtroopers…

  16. At first I thought this was a repost… but it turned out to be a very good pasta. Didn’t see that ending coming.

    1. Get it she he/she was playing with her uncle or grandfather through her life but how could he/she when they died when he/she was only two so she must of let them back then when she found out he/she was wondering who else he/she let back

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