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Gran’s Box



Estimated reading time — 7 minutes

It was always a treat for the three Levine children when they got to visit Gran’s house. Gran’s house was big, with plenty of rooms for hide-and-seek, and a pond in the garden filled with fish and frogs. For the Levines, who crammed together in a four-bedroom apartment, Gran’s house was a fairytale castle. It was also a veritable treasure-trove of toys; bags of shiny marbles, ebony dominoes stacked neatly in their boxes, striped hoola-hoops and skipping-ropes, boxes of coloured chalk that the children could use to draw on the flagstones around the pond, teddy-bears in all shapes and sizes, and a plethora of dolls with curly hair and frilly dresses.
Then there was the box.
Some days it was in the front room, proudly displayed on the mantel above the fireplace, other days it was in the dining room, hiding among myriad framed photographs, and other days still it was upstairs in Gran’s bedroom. Sometimes it wasn’t on display at all but just sitting on the floor or halfway up the stairs.
The youngest child, Vivian, once asked, “Why do you always move the box, Gran?”
Something dark flitted across Gran’s face like a storm-cloud blocking out the sun. “I don’t. That box has a mind of its own.”
“You mean it moves by itself?” This wasn’t incomprehensible to a six-year-old.
“The box does what it feels like and I don’t interfere,” Gran said.
Vivian’s sisters were more interested in the dolls. They’d spend hours brushing their hair or rearranging their clothes, but nothing peaked Vivian’s curiosity like that box. She was never allowed to touch it, no matter where it moved itself to. Every time they went round, Vivian would look at the box and wonder. What was its secret? Why wasn’t she allowed to touch it?
Years passed and visits to Gran’s house became less and less frequent. The girls were growing up; they had their own lives to live. When Vivian was twenty-two she moved to the heart of London and that was the last she saw of Gran for a while. She’d stopped thinking about the box a long time ago.

Until Gran died.

The wake was held in Gran’s house – it was the only one big enough to fit everyone in. Gran had made a lot of friends in her lifetime.
Vivian felt a sharp pang in her chest when she stepped over the threshold. It had been years since she’d been in this house yet everything looked the same. Older, perhaps, more faded, but still igniting the potent memories of childhood.
Everyone wanted to offer platitudes and condolences but all Vivian wanted was some time alone. It would probably be the last time she was in the house she’d loved as a child, and she wanted to indulge in a memory-lane trip. While the guests congregated at the buffet table, Vivian quietly slipped upstairs. Everything was as she remembered it, the carpet patterned in various purples, the off-white wallpaper and the paintings of Gran’s old dogs that lined each and every wall.
Somehow she found herself in Gran’s bedroom. The shelves on the walls were still lined with glassy-eyed dolls but their curls were limp now, covered with a grey film of dust. And on the dressing table, surrounded by pots of powder and lipstick tubes, was the box.
Vivian froze when she saw it. All her childhood curiosity came flooding back. Gran’s mysterious box that no one had ever been allowed to touch. Looking at it now, Vivian didn’t even know it had fascinated her. It was a plain wooden box, thirteen by six inches, the brass catch fastened by a padlock. It was nothing pretty, nothing special but Vivian could swear it was calling to her. It wasn’t a voice as such, more like a tugging sensation as if invisible hands were trying to pull her towards it.
She took a tentative step forwards and picked up the box. Suddenly she felt six years old again, breaking Gran’s most stringent rule. She half-expected Gran to come into the room and start scolding her. But Gran wasn’t here anymore.
Vivian made up her mind there and then. She was taking the box. She slipped it into her handbag and didn’t think about it again until she got home.
It was ten o’clock by the time Vivian arrived back in London. Her flat was located above a butcher’s on the corner. She hated walking past the butcher’s during the day when all the slabs of meat were on display, sitting in pools of blood. At least at night the windows were dark, the meat stored away.
Up in the flat, Vivian took the box from her handbag and placed it on the freestanding bookshelf by the side of her bed. She didn’t plan to keep it there permanently but she was too tired to find a proper home for it now. Kicking off her shoes she flopped into bed. Sleep crept over her in minutes.
Vivian dreamed she was standing in a field, waist-deep in grass. There was nothing around her but green, an endless countryside. The sun was setting; it looked like spilled blood on the horizon. Dread prickled up her spine. There was something wrong with this place. She couldn’t see it but she could feel it, some bone-deep sense of self-preservation that kicked in when danger was close.
She started to run. Somehow she had to get out of this field. She hadn’t run more than a few metres when a hand broke through the ground, scrabbling blindly at her ankles. It was grey-skinned, the yellow finger-nails gnarled and broken. Vivian screamed and kicked the hand away but another punched through the earth. It caught her foot and she pitched forward onto the ground. More decaying hands broke through the ground, fumbling over her body, pinning her down. She fought and kicked and writhed but the hands were too strong. A pair closed round her throat. Vivian tried to scream but she couldn’t even breathe.

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She snapped awake, clutching at her throat, gasping. Her lungs ached as if something really had been trying to choke the life out of her.
Gran’s box was sitting on the nightstand next to the bed. Vivian frowned. She was sure she had left it on the bookshelf. Gran had told her the box had a mind of its own but that seemed like such nonsense to Vivian now. Besides, that had just been some story for Gran to tell the children. She hadn’t actually believed it…had she?
By the time the sun was up, Vivian felt thoroughly silly for allowing a dream to frighten her so much. Dreams were nothing but the workings of the unconscious mind. True, she hadn’t had a nightmare in years but on the night following her Gran’s funeral, she was hardly going to be dreaming about rainbows and candy-canes. And she must have moved the box to her nightstand without realising it. It was the only explanation.
Still, Vivian felt a twinge of unease when night fell. The shadows shifting through her flat seemed more menacing now, as if grey-skinned hands might burst forth at any second. Her nightstand was empty now except for the lamp; she’d moved the box into the kitchen. It didn’t look quite right there either.
The nightmares were worse this time. Instead of grasping hands, whole skeletons climbed out of the lonely field, their eyes empty and blind but all turned in Vivian’s direction. The air was heavy with the stench of blood and meat. The skeletons opened their mouths to speak but all Vivian could hear was creaking bone.
This was a dream. She had to wake up
Vivian lurched awake gasping. The blood stench still clung to her nostrils, so strong she could taste it. It was like someone had slaughtered a pig in her flat and she could smell everything spilling out of its body.

Take me back

The sibilant hiss slithered through her mind. Vivian bit back a scream. Gran’s box was sitting on the nightstand, angled towards her. The wood-whorls looked like eyes glaring out at her.
This time Vivian knew she wasn’t imagining things. She had left that box in the kitchen. There was no way it could have got in here unless…what if Gran had been right? What if the box did have a mind of its own? All those years Vivian had visited Gran’s house and been forbidden to touch the box. What if Gran had a good reason for keeping it away from people?
The next morning Vivian took the box and threw it in the bin. It was silly to be frightened by a piece of wood but every time she looked at it, she got the feeling there was something sinister luring just at the corner of her vision. She was never fast enough to see it but it was there, a presence.
She hoped that with the box out of the house that would be the last nightmare she’d have, but that third night they were worse than ever.
It was raining in the lonely field, fat red blood-drops falling from black clouds. The creaking sound of skeletons trying to talk scraped against Vivian’s ears. In the distance she could see a house and she started running towards it. As she drew nearer she recognised the front door with the lion’s head knocker, and the flowers overflowing from their window-boxes. It was Gran’s house.

Take me back

The voice lashed the air, deeper and angrier than it had been the night before.

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Take me back to my house

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Vivian gasped and clutched her chest. It felt like something had just hit her with a baseball bat. She fell to her knees as her lungs constricted. There was a dead weight on her chest, like something was slowly suffocating her.
When she opened her eyes Gran’s box was sitting on her chest. Vivian screamed and threw the box across the room. The lid rattled as it hit the floor and that terrible voice came spilling out.

Take me baaaaaaack

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Gran’s house had been in the nightmare. That was where the box wanted to be.
Vivian grabbed her car-keys. She didn’t want to touch the box and wrapped it in an old towel. As soon as she was in her car, the smell of blood and meat filled the air. Vivian opened all the windows but it didn’t make any difference. Gran’s house was three hours away from London but Vivian made it there in less than two, violating every speeding law known to mankind.
Gran’s house stood dark and empty, the windows like sad eyes. When Vivian lifted the box from the backseat, it seemed to tremble in her hands. Like it knew it was coming home.
Vivian didn’t have a key and the box wouldn’t fit through the letter-box, but she couldn’t explain that to it. So she did the only thing she could think of – she threw the box through the window. Amid the noise of shattering glass she thought she heard a deeply satisfied sigh as the box thudded on the carpet.
Vivian got in her car and drove away. She didn’t look back.

It was years before she was in the area again. Despite everything she couldn’t resist walking past Gran’s house again. The flower-boxes and the lion’s head knocker were gone. The door had been painted red. Vivian’s steps slowed as she tried to peer through the window.
On a coffee table in the living room was the box. It didn’t have a face but Vivian sensed that it was deeply content. It was back where it belonged.
Vivian never visited Gran’s house again.

Credit To – Bella Higgin

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41 thoughts on “Gran’s Box”

  1. Pretty good, I found it interesting more than frightening. I guess because the box kept it simple – take it back to the house, it leaves you alone. Where i half expected it to be a curse of sorts that would transfer to her upon possessing the box. I can’t think of too many stories where ghosts or curses were reasonable by any means.

    I was also disappointed you never found out what the box was all about or why it HAD to be in Gran’s house but then again, sometimes keeping the mystery unsolved and without closure makes for a lasting impression.

  2. I think it needed more depth, since the haunted box concept is a little too… simple for me. But it was good, It leaves the reader to ponder upon what history grans house might have had or what the contents the box might contain.

  3. Excellent story. I absolutely loved it. Such a fun idea and story. The visuals you created with the prose really grabbed me somehow. I often am not a big fan of the “left up to the reader” type stuff but the lack of info in the box was really effective here. Of course, I like everyone else want to know whats up with the box,(whats in it, whos in it, how did it get like that, how did gran get it?) but I was perfectly satisfied at the end of the story. I must also admit I get a kick out of imagining the box floating or scraping its way around the house. Makes me laugh. 9/10 Keep reading and writing!

  4. Ehhh this story was so-so. I mean, the field with the skeletons thing wasn’t anywhere near scary. It’s not really a creepypasta but it is definitely not a crappypasta, either. 6.5/10

  5. Death Becomes Her

    I loved this pasta…reminded me of my grandmother’s house. While reading, I was totally in to it, I too didn’t question things untill after I was finished reading. Very well done!

  6. It’s okay wqhen the pasta gives a few major details away and leaves the reader to imagine the more gruesome ones, but the effect is not as much when the author says nothing at all.

  7. ẠbracadaveЯ

    Box was just homesick. Poor sad pet box.
    Must admit, when I first read the title I was way more creeped out than when I actually read the pasta. “Box” being a slang term for, well… lady bits.

    1. Lol. I hate to say it, but the juvenile part of my brain thought the same thing when I saw a horror story called “gran’s box”

  8. Maybe it’s just me, but I found this pasta more cute, than creepy, that the box was happy to be back…

  9. omg…my curiosity is killing me….I MUST know what was in the box…what was the box…WHY was the box….i must know!

  10. AW! COME ON! WHAT’S IN THE BOX?!? *LOL* I couldn’t resist. That’s one of my favorite lines from one of my favorite movies. (Brad Pitt – SE7EN) Anyway, I think that the story really was well done. The dream sequences were very well described. I as well kept thinking of the Dibbuk Box. As was stated before, I would love to see a follow-up to this. Maybe even a reveal of what’s in that evil box! Keep up the good work!

    1. THEN WHO WAS.......nevermind...

      Oops…I meant to give you a positive rating because I loved your reference to the movie Seven! I didn’t zoom in enough and accidentally thumb downed you… :(

  11. Oooh I liked it! It reminded me of the type of story that would be in the “Scary Stories to Tell in the Dark” books that I loved as a child.

    1. THEN WHO WAS.......nevermind...

      Yes!!!! Scary Stories To Tell In The Dark…that was it!! Wait…are you mocking me?

      1. What? Oh I didn’t read your comment above lol. Whatever those books were called they were awesome. The pictures were often scarier than the stories.

        1. THEN WHO WAS.......nevermind...

          Omg yes…those dang pictures FREAKED me out seriously. Those books were indeed awesome!

  12. I like this story it kinda reminds me of when my great gran died she had a huge house full of interesting things but we didn’t sell it or anything Cos my mum said she had a dream the night gran died telling her to leave the house how it was .

  13. It scared me enough I didn’t even bother questioning what the box was or where it was from or why it moved. Okay, I did question those things after I finished reading the story but not until after I was done. Great job at keeping the reader engrossed in the story. I usually do not enjoy artifact pastas, but this was an exception.

  14. I think it was good, but it could be REALLY good with maybe a bit more to the story. I found it creepy enough, however I would have found it creepier if we were to somehow find out what would happen if she weren’t to take the box back. From the story, all we can work out is that it would keep giving her nightmares and keep moving about.

    I do like this kind of story and I think to sum up my comment, maybe write a follow-up to this where someone finds the box and doesn’t take it back for a very long time.

    Nice work :)

  15. I liked it! bravo! Left you to fill in the blanks yourself which forces the reader to put whatever they fear most as the contents of the box. For me I imagined a mummified decapitated head. Still, it left me wanting a little something more.

    1. i imagined it pandora’s box… or a box filled with creepy crawlies….. or a note that read Candle you know whooo.. BYE

  16. Hey!

    I must mention again my bias for artifactpastas: they can afford to be perfectly ambiguous, free from explanations, while not stretching the willing suspension of disbelief. I thought this pasta wielded the advantages of artifactpastas very well, giving readers room for imagination even after concluding the story.

    Essentially, this pasta presents a number of persistent mysteries: what’s inside the box? Why does it move? What does it want? Clues are dropped (the stench, the dream apparitions) but ultimately, the pasta doesn’t answer these questions; the box’s contents as inscrutable as its motives. It’s up to the readers to speculate, and personally I found this mystery to be the real driving force of the pasta – a unique strength of artifactpastas.

    That being said, IMO there are a few nagging questions that veer towards consistency errors. If the box was so eager to be home, why did it attract Vivian in the first place?

    I also thought that the way the box voiced itself a bit unsubtle; the dreams and movements IMO were creepier (and more than enough), plus it would explain Vivian’s reluctance to accept the supernatural nature of the box. The dreams were also a tad cliched, though quite well described; the creepiest bit for me was how the box moved.

    All in all, I felt that this pasta demonstrated the strengths of artifactpastas and did a good job of constructing itself overall. 7.8/10

  17. THEN WHO WAS.......nevermind...

    This is a good story! Reminds me of a story that should be in “Scary Stories For Sleepovers” or that other one (can’t quite remember the name) it doesn’t matter to me what the purpose of that box was….this was still a creepy lil tale and I liked ! :)

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